Prints
Prints are everywhere. From skirts to jackets, t-shirts to pants, they’re a staple in our wardrobes. And if there’s one thing fashion has proven over the centuries, it’s that print is more than just a pattern: it’s an art form, a symbol of rebellion, and an invitation to self-expression.
Each season Charlotte chooses an exceptional print to drape her new collection. They are exclusive and designed by Laure from @foxinthesnow inspired by Charlotte's seasonal moodboards . We take great care in choosing our workshops, which is why our pieces are woven and printed in Italy near Prato in a factory specializing in printing since 1945. Just that!
If fashion has proven that it has its place in the elitist world of Art, it is with print as an asset that it is definitely part of it.
The Origins
Its history goes far beyond haute couture; it has a deep and intimate connection with art, especially painting. As early as ancient times, Egyptian and Chinese civilizations were already using dyeing and embroidery techniques to create patterns on precious fabrics. At that time, prints were associated with cultural or religious symbols reserved for a high social level. For example, the Middle Ages had their share of floral patterns, symbols of status and wealth.
Painting and dyeing therefore had an undeniable influence in the development of printing on fabric, particularly in the Orient.
19th century and the Industrial Revolution
The 19th century propelled print into a new era. The invention of large-scale roller printing made it possible to produce prints more quickly and in larger quantities. This was a new turning point for print: they were no longer exclusively reserved for an elite; everyday fashion took hold of them.
20th century and print as artistic expression
For designers and creators, print becomes a new creative challenge. The 1920s gradually abandon corsets and rigid silhouettes to make way for print, notably with Art Deco a few years later. Once again, the 1960s and 1970s mark the boom of print in fashion. A number of designers such as Yves Saint Laurent, Pucci and Kenzo, influenced by cultural and social movements, introduce psychedelic, floral or ethnic patterns into their pieces and thus draw a new chapter for print. It goes without saying that this boom is the reflection of a young society in full mutation and eager for political, artistic and cultural freedom.
And then, some creative artists will make it their signature brand. I am thinking in particular of Jean Paul Gaultier, Vivienne Westwood or even Versace who dare to use prints with audacity and provocation. Prints as a stylistic rebellion, therefore.
100% silk TO BE YOURSELF
As you already know, we are very loyal to the talented illustrator Laure from @foxinthesnow who has been drawing and painting our prints alongside us for several seasons now. With her palettes, pencils and brushes, she succeeds, with her delicate drawings, in capturing the essence of each season through her unique patterns. Her style blends perfectly with Charlotte's universe, bringing a personal and artistic touch to each collection.
🐆 For prints, Charlotte only chooses 100% silk qualities . A sublime 100% silk satin for our Iconic Walter leopard pants.
🤍 Our iconic highlands and polka dots are made from 100% silk crepe and finally, for our scarves, 100% silk twill.
Choosing a print from our house means choosing a beautiful print, the result of collaborative work between two artists: the designer and the illustrator, but also choosing beautiful qualities for your favorite prints.
